• “Preserving Theatre’s Legacy: Archiving for Theatre Companies and Artists”
    Webinar. American Theatre Archive Project, April 2022.
  • “Women, Theater, Archives: Collecting and Stewardship”
    Panelist, Beinecke Library, Yale University. Virtual Program, March, 2022.
  • “Collecting in a Crisis: The Theatre 2020 Project”
    Public Lecture and Panel Discussion. SIBMAS/Polish Theatre Institute, Warsaw.
    Virtual Program, October, 2021.
  • “Documenting Your Legacy: Archives and Estate Planning“
    Webinar, Dramatists Guild. October, 2021.
  • “The Theatre 2020 Project: Documenting a Year of Changes”
    Public Lecture, Harry Ransom Center, Virtual (March, 2021)
  • “Julia Child: Tasting to Typing – From the Papers of Alfred Knopf Inc.”
    Public Lecture, Harry Ransom Center, Virtual (December, 2020)
  • “Collection Connections: Arthur Miller’s Pride and Prejudice”
    Public Discussion, Harry Ransom Center, Virtual (November, 2020)
  • “The Glass Menagerie” and “Williams in St. Louis“
    Panelist, Tennessee Williams Festival St. Louis, Virtual (November, 2020)
  • “Careers Beyond the Professoriate“
    Panelist, American Society for Theatre Research Field Conversations, Virtual (November, 2020)
  • “Williams at Work: The Glass Menagerie at 75″
    Public Lecture, Harry Ransom Center, Austin (March, 2020)
  • “The Practice of Public-Facing Scholarship”
    Plenary Panelist, American Society for Theatre Research, Washington D.C. (November, 2019)
  • “Bardolatry on the Boards: Shakespeare in Early America”
    Public Lecture, Hidden Room Theatre Salon Series, Austin (August, 2019)
  • “Holding Williams”
    Panelist, Tennessee Williams Festival Scholars Conference, New Orleans (March, 2019)
  • “Making Magic: Houdini as Collector”
    Public Lecture, OLLI/NOVA, University of Texas, Austin (February, 2019)
  • “Preserving Performance in Special Collections”
    Public Lecture, Tsubouchi Museum at Waseda University, Tokyo (February, 2018)
  • “Staging Uncle Tom: Tableaus on Print, Stage, and Screen”
    Conference Presentation, Columbia University, New York (December, 2017)
  • “Archiving and Protecting Your Work, Artists Hotline”
    Web Panelist, New York Foundation for the Arts (September, 2017)
  • “Local Theatre Plenary”
    Plenary Chair, American Society for Theatre Research, Portland (November, 2015)
  • “Page to Stage: Tracking the Popularity of Anne Frank and the Holocaust through the Archive”
    Panelist, Anne Frank: Holocaust, Memory and Performance Symposium,
    University of Texas at Austin (October, 2015)
  • “Teaching Primary Sources through Digital Facsimiles.”
    Visiting Speaker, Austin Independent School District (September, 2015)
  • “Archiving Out of the Closet: Challenges and Approaches to Collecting LGBTQ Performing Arts Materials”
    Working Session, American Society for Theatre Research, Baltimore (November, 2014)
  • “Inciting the Archive.”
    Panelist, Symposium on Site and Incitement, Institute for Advanced Study, University of Minnesota (February, 2013)
  • “Being Queer: Doing Theatre”
    Panel Moderator, Steven Schochet GLBTQ Colloquia Series, University of Minnesota (March, 2011)
  • “Ghosts in the Archive: Jack Smith and the Persistence of Junk”
    Panelist, The Power of Absent Bodies Working Session, American Society for Theatre Research, Seattle (November, 2010)
  • “Stonewall at 40: The Gay and Lesbian Rights Movement in America”
    Keynote Address, Faces of the Tretter Collection of Gay, Lesbian, Bisexual and Transgender Studies, University of Minnesota Libraries (June, 2009)
  • “Tony Kushner in Context”
    Panel Moderator, Tony Kushner Festival, Department of Theatre Arts and Dance, University of Minnesota (April, 2009)
  • “Burn Everything: Jack Smith and the Power of the Camp Object”
    Mid-America Theatre Conference, Chicago (March, 2009)
  • “Cardboard Citizens – The UK’s Homeless People’s Professional Theatre Company”
    12th Annual Pedagogy and Theatre of the Oppressed Conference, Chapel Hill, NC (May, 2006)